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・ Joe Comeau
・ Joe Comeau (lacrosse)
・ Joe Comfort
・ Joe Comfort (New Haven)
・ Joe Comuzzi
・ Joe Conason
・ Joe Condon
・ Joe Conforte
・ Joe Conklin
・ Joe Conley
・ Joe Connell
・ Joe Connellan
・ Joe Connelly
・ Joe Connelly (musician)
・ Joe Connelly (producer)
Joe Connelly (writer)
・ Joe Connolly
・ Joe Connolly (1910s outfielder)
・ Joe Connolly (1920s outfielder)
・ Joe Connolly (hurler)
・ Joe Connor
・ Joe Connor (baseball)
・ Joe Connor (footballer, born 1877)
・ Joe Connor (footballer, born 1986)
・ Joe Connors
・ Joe Conti
・ Joe Contini
・ Joe Conway
・ Joe Conwell
・ Joe Conzelman


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Joe Connelly (writer) : ウィキペディア英語版
Joe Connelly (writer)
Joe Connelly is an American writer. Connelly is best known for his first novel, ''Bringing Out the Dead'', which was made into an eponymous film.
== Biography ==
Connelly grew up in a working-class family in Warwick, New York. He dropped out of Colgate University and, before publishing his first novel, worked as a paramedic at St. Clare's Hospital in Hell's Kitchen, New York City, for nine years. He wrote in his spare time over that period, in a small flat in the Upper West Side and while living in Ireland and travelling in Eastern Europe for a considerable period. During this period Connelly was encouraged by a creative writing professor at Columbia University.
''Bringing Out the Dead'' (1998) is autobiographical in nature and follows the story of a paranoid, hollow-eyed paramedic who works the graveyard shift in Hell's Kitchen, the barrio bounding the phantasmagoria of Times Square. Having seen so much human suffering on the job, the main character of the book, Frank, has turned emotionally into himself, despondent to the point of becoming a drunk, his life a living hell.
''Bringing Out the Dead'' was an immediate bestseller on publication. It was soon optioned for $100,000 and eventually made its way to production as a major motion picture of the same name in 1999. ''Bringing Out the Dead'' was directed by Martin Scorsese and the screenplay was adapted by Paul Schrader. Though the film was a critical success, it fell short of box office expectations.

His second novel, ''Crumbtown'' (2003), didn't sell as well as the first. Although the book's characters were the trademark down-and-out personalities of Connelly's debut novel, he was criticized for relying on well-trodden clichés.

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